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Even Jasta’s reassuring call “you may have been told not to mosh but I believe most rules are made to be broken,” doesn’t loosen many people up. They ask for two and they get them, but only just. Even this crowd has some juice though for the essential Hatebreed neck-fuckers ‘This Is Now’, ‘Live For This’, ‘Destroy Everything’ and ‘I Will Be Heard’, some of which have been Hatebreed HatebreedĪs the band themselves say, it’s not a Hatebreed gig without a circle pit. More fool them because Hatebreed are sounding mighty fine, although so much of it falls into the same patterns, same groove, same sort of structure. The bar areas outside are heaving with folks preferring to stay out of the firing line until the salvo of hardcore punk/metal has subsided.
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He’s also up for the challenge, a man determined to incite a reaction, who can still stir the pot when needed. He’s acutely aware that they’re not a clear choice of support for as band like Volbeat using the old “it’s all heavy shit, we need to stick together” line. Ever further from the kind of tear-this-place-apart intensity Hatebreed usually conjure. For the first time in what is probably a long time they’re really having to work for it. The choice of the Rocky theme as entry music (not ‘Eye Of The Tiger’ dummy) is apt because Hatebreed (3.5/5) have got a fight on their hands tonight. It suggests the coins have been coughed up for Volbeat. It’s not for us to speculate how or why, but when Hatebreed roll on stage and you can only loosely use the term “full” to describe the place, well it suggests something. And yet tonight they’ve sold out the show, sold out the impressive Roundhouse no less. People say they like them, but rarely do you meet someone foaming at the mouth, raging about just how good they are. Back home, sure, platinum all the way, Europe and the US are on board, but here they’ve always seemed to struggle to impact. Volbeat have never felt big enough to cause such emotion. Let’s assume it’s because of the music, although that would imply levels of hysteria beyond anything expected. After all we’re all friends here tonight.Īnd now a girl bursts into tears.
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The band are just a few feet away and the music is really flying – if you can’t just enjoy that then there’s something a bit wrong. But I want to tell him it doesn’t matter, if only to stop him from keep invading my eye line. A good gig with good friends is something very lovely indeed. Bouncing up on the tips of his toes, straining his neck, bending this way and that, clutching his phone. Mainstream Rock chart.Volbeat Roundhouse, London 17th November 2014 Review by Kirsty Birkett-Stubbs Photos by Michelle Murphy
I ONLY WANT TO BE WITH YOU VOLBEAT ALBUM FULL
And the hit parade continued full steam ahead with 2019’s Rewind, Replay, Rebound, as its revved-up, Misfits-esque standout, “Die to Live,” gave the group their eighth No. airwaves, by which point Poulson’s formative demonic bellow had smoothed into a radiant, radio-ready voice perfectly suited to open-sunroof anthems like “Fallen.” Volbeat have continued to hone their finely tuned formula of hooks and heft to even greater stateside success, with 2016’s Seal the Deal & Let’s Boogie cracking the Billboard Top 5 thanks to the punchy power pop of “Black Rose” (a duet with kindred Canadian rocker Danko Jones). With Volbeat, however, he pursued a bold new sound that fused his love of double-kick-drummed thrash with the outlaw spirit of early rock ‘n’ roll-and, let’s face it, few artists with his black-hooded pedigree would dare introduce their new band with a riff-ravaged cover of the Dusty Springfield standard “I Only Wanna Be With You.” As Volbeat became a chart-topping force in Denmark, an invite from Metallica to open their 2009 North America tour helped push the group’s fourth album, Beyond Hell/Above Heaven, onto U.S. Strength was never going to be a problem for this band: Singer/guitarist Michael Poulson cut his fangs in the death-metal outfit Dominus. Copenhagen hard-rock quartet Volbeat debuted in 2005 with the rather cockily titled album The Strength / The Sound / The Songs, but their track record has proven they can back up that claim on all three counts.